A1 contains portions of " Give The Drummer Some" by Ultramagnetic M.C.'s from their album entitled " Critical Beatdown" used courtesy of Next Plateau Records. D1 published by EMI Virgin Music Ltd/MCA Music/Perfect Songs/Zomba Music. ℗ 1996 XL Recordings Ltd.

XL Recordings

B2 excerpts from " Root Down" used under license from Capitol Records. A division of Capitol Records Inc. Sample from " 2-3 Break" by The B-Boys used courtesy of Vintertainment. Published by Vintertainment Enterprises (ASCAP). Sample from " Theme From S.W.A.T." by Barry Derorzan, used courtesy of MCA Records, Inc. under license from Universal Music Special Markets, Inc.. Published by EMI Gold Horizon Music.Music Direct reserves the right to change the terms of this promotion or discontinue this offer at any time. All those guest vocalists mean something, Howlett is at his best when he’s writing for himself or others. “Firestarter” and all of its rewrites capture the fire of the Prodigy at their peak, and the remaining songs have imagination that give the album weight. The Fat of the Land is damn good! Double vinyl reissue from XL Recordings. C1 published by EMI Virgin Music Ltd/MCA Music/Chrysalis Music Publishing. ℗ 1997 XL Recordings Ltd. A1 published by EMI Virgin Music Ltd/Next Plateau Music Inc/Beats G Music. ℗ 1997 XL Recordings Ltd. Music Direct reserves the right to select the carrier and ship method within the terms of this offer.

Fat of the Land - 25th Anniversary Edition (SILVER VINYL) The Fat of the Land - 25th Anniversary Edition (SILVER VINYL)

C3 published by EMI Virgin Music Ltd/Hit And Run Publishing Ltd. Crispian Mills appears courtesy of of Columbia Records Ltd. ℗ 1997 XL Recordings Ltd. D1 sample of Breeders " SOS" courtesy of 4AD / Elektra (by arrangement with Warner Special Products). " Close To The Edit" by Art Of Noise under licence from ZTT Records Ltd.

Reviews

C1 " Selling Jesus" by Skunk Anansie used courtesy of One Little Indian except USA courtesy of Sony Music Entertainment Inc. Few albums were as eagerly anticipated as The Fat of the Land, the Prodigy’s long-awaited follow-up to Music for the Jilted Generation. The Fat of the Land was touted as the album that would bring electronica/techno to a wide American audience; and indeed it went on to sell 2.8 million copies in the US. The Fat of the Land delivers exactly what anyone would expect: intense hip-hop-derived rhythms, imaginatively reconstructed samples, and meaningless shouted lyrics from Keith Flint and Maxim.