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Dying of Everything

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There's also moments on the album where John Tardy seems completely absent, and it's usually during riffs or sections where you would expect the vocals to be. Songs like 'By The Dawn' and the outro 'Be Warned' spend way too much time on the same slow repeating riffs, and it always follows the same pattern of overstaying it's welcome rather than progressing or transitioning into something new and unique. While that's not an uncommon issue with doom metal, I would've expected better of a band that have crowned themselves as the kings of this type of shit with over thirty years of experience under their belts. What always has fascinated me about Obituary is that the feeling of your flesh being ripped to pieces by John Tardy's growls is almost guaranteed, no matter the decade, the album or the song. The Florida squad is pretty much alien to the old motto re-invent or die. They have never boasted impressive technicality with their instruments or excel in writing songs that would make your brain bleed while elaborate structures and clever transitions put your IQ to the test. Nope. They have brute forced their way through more than 30 years of uncooked death metal with stunning resolve and a very simple but effective formula. Obituary was there when the pot containing the genre's broth started to boil out of control, overflowing its filthy charms to the rest of the world. While their contemporaries chose different approaches, with Morbid Angel focusing on speed and in being as esoteric as possible, and Cannibal Corpse just being chaotic and utterly disgusting, Obituary chose to bulk it up, at their own crawling pace. I think it comes down to passion," vocalist John Tardy offers. "I say this all the time, but if something's not fun, I'm not gonna do it. And we're having more fun than ever." Major respect is due to Obituary considering how it's almost 40 years and nothing on this album feels forced, and nothing is lazy or awkward either. Very few bands can keep up this level of solid quality and listenable songwriting for 45 minutes straight when they're this old. I get a clear sense that the band and the recording staff all took the album totally seriously while in the studio. In my opinion, this is my brother’s best performance on the album. Again, he’s not the dude that’s going to write a thousand words per song. He uses his voice more than he uses his words, but this one is definitely the most lyrically powerful song on the album. The groove is just nonstop on this one, and I think the fans are going to love it. We’re probably going to end up playing it live.”

Florida death metal veterans OBITUARY will release a new studio album, "Dying Of Everything", on January 13 via Relapse Records. What the hell happened to our planet?” Obituary drummer Donald Tardy asked himself at the height of the pandemic. The conclusion he arrived at, he decided, was a worthy title for their eleventh studio release. “Dying Of Everything seems like a proper name for this point in history,” he says. “I think it just fits with what everybody has been going through these last two years.”

Line-up (members)

Asked what fans can expect from the new LP, John said: "I think it's just gonna sound like OBITUARY. [ Laughs] You know us — we're kind of cavemen; we don't like to evolve too much. We like to change it up and do a little here and there, but we're getting too old to change too much, I think. So as long as it's heavy and pounding, then that's what you can expect."

There is a limit to how good the end product gets though. Most melodies are very very simple, and it's Obituary's trademark, but so much simplicity did bring me to Mediocre Town for a few moments. Keeping it simple has brought them a solid fanbase and a discography with no major mistakes, but I also started hearing how their songwriting stays so amazingly far away from taking risks. After all these years, can't they envision doing something just a tiny bit weird and envision it working out well? Obituary To Release 'Ten Thousand Ways To Die' Single In October; New Song 'Loathe' Streaming". Blabbermouth.net. August 24, 2016 . Retrieved August 24, 2016. Moving on from the songs, I'd like to discuss the album's production. It's surprisingly natural for a modern death metal record, and it's not overproduced. It's not a raw record at all, but the production is solid. The instantly recognizable Obituary guitar tone roars and takes the limelight on this album, sounding like Cause of Death from an alternate reality. The bass cuts through for the most part as well, though it isn't the album's main attraction. The drums are rather "blunt" (as previously stated) and, while present, sound a bit quiet in the mix. OBITUARY Announces 'Dying Of Everything' Album, Shares 'The Wrong Time' Music Video". Blabbermouth.net. November 10, 2022 . Retrieved November 10, 2022. Dying Of Everything" destroys in the time-honored tradition of early OBITUARY classics "Slowly We Rot" and "Cause Of Death", while maintaining the killer studio sound that the band has been perfecting in their own studio since 2007's monstrous "Xecutioner's Return".

However, following the release of their surprisingly decent self-titled album in 2017, they appeared to be riding a sudden wave of momentum that would eventually culminate in 2023's Dying of Everything. When Obituary released the first singles from this album, my initial reaction was one of continual disappointment. The tone was good, and some of the riffs were cool, but it felt like another Xecutioner's Return; a failed attempt to be what they once were. However, these songs grew on me to the point where newfound intrigue was sparked, and now I'm here dissecting it. Obituary is an American death metal band formed in Tampa, Florida, in 1984. They were one of the fundamental acts in the development of death metal music, [1] and are one of the most successful death metal bands of all time. [2] To date, Obituary has released eleven studio albums, and with the exception of a six-year hiatus from 1997 to 2003, they continue to perform live. Dying Of Everything destroys in the time-honored tradition of early OBITUARY classics Slowly We Rot and Cause of Death while maintaining the killer studio sound that the band has been perfecting in their own studio since 2007’s monstrous Xecutioner’s Return.

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