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Brown, Blain (2002). Cinematography: imagemaking for cinematographers, directors and videographers. Focal Press. p.252. ISBN 0-240-80500-3. Matthews Studio Equipment (2022-07-26). "BABY STANDS". Matthews Studio Equipment . Retrieved 2022-07-26.
A Punky C-Stand is a 20" C-Stand with a smaller base and footprint than the standard 20" size. [12] The PIXAPRO Heavy Duty C-Stand Photography (or Century Stand) is widely used by both photographers and moviemakers alike due to its robust and sturdy build quality. They are also capable of holding heavy equipment such as large light banks, and strobes with large or heavy modifiers due to the solid stainless-steel metal construction. The very sturdy & strong stand is the perfect tool for any portrait, beauty, product, fashion photographer, or videographer, in a studio fixed location who uses large modifiers. The 40″ Grip Arm with Hex Stud is a 2 1/2″ grip head mounted on the end of a 40″ piece of steel tubing 5/8″ (16 mm) in diameter and finished with a faceted hex stud to keep lighting fixtures in position when they are placed on the end of the arm. The 2-1/2″ grip head consists of a pair of rotating aluminum discs attached to a 5/8″ (16 mm) receiver. The discs have four different sized “V” shaped jaws to accept any accessory with a 5/8″, 1/2″, 3/8″ or 1/4″ mounting stud or tubing. The “V” shaped jaws have “teeth” that grab whatever is mounted between the plates securely. The 2-1/2″ grip head features an oversized ergonomic “T” handle and dedicated roller bearings designed for maximum torque. The PIXAPRO Heavy Duty C-Stand Photography with a boom arm allows you to mount your light stand up to 300cm in height, offering a stable platform to use and move your lighting effortlessly overhead. This makes it an essential piece of kit for the modern studio, great for portrait, beauty, product, fashion photographers, or videographers. I knew both Mike and Larry Parker, who ran Mole-Richardson. I met Roy Isaia (founder of MSEGrip) in the early 1970s. Starting in the late 1970s, I worked, from time-to-time. for Twentieth Century Fox studios.
Wheeled Stands
You can use this arm for your overhead shooting with smaller cameras. Again, you have to counterweigh it when doing so. I highly urge you NOT to rig any of the bigger pro DSLR’s this way. They are just too heavy. 4. The Legs Professional-grade lighting isn't just about better results; it's also about creating an environment where clients feel the difference. Elevate your studio's reputation with these high-quality C-stands. The air-cushioned, 6′ MultiFlex Light Stand from Savage is a space-saving solution to setting up in tight spaces or on uneven terrain. Thanks to a clever design, instead of being fixed, one of the three legs can slide down from its normal position on the stand’s center section until it nearly touches the floor. That means squeezing a leg under a couch or table is no problem, stairs are a snap, and supporting gear on hilly terrain is routine. The stand has an industry-standard 5/8″ top stud, and comes with a touch fastener strap and a padded carry case for storage and transport. Our C-stands are for anyone who is passionate about lighting, from professional photographers to videographers, content creators, and studio owners. Here's why these stands should be on your radar: Century Lighting, in NYCity made lighting for live theater. Century Lighting was the importer for Ianiro, an Italian studio lighting company during the 1960s. BTW Century was never owned by Mole-Richardson.
We require this information to understand your needs and provide you with a better service, and in particular for the following reasons: Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground. [4] [5] Types [ edit ] A C-stand with a removable base is called a C+ stand. The removable base is referred to as a turtle base. The opening at the top of the turtle base is a junior receiver. Turtle bases are great for setting up a light very low to the ground. [5] In addition to supporting lighting equipment, C-Stands can also be used as a camera mount, making them an even more versatile tool for any photographer or filmmaker. With the ability to support heavy camera rigs, C-Stand Camera Mounts can provide stable and secure camera support, even in challenging shooting conditions. There are several different kinds of legs. Some are spring loaded, which can be very nice. Others, like the ones pictured above, can slide up the riser column, which can be handy for rigging in precarious situations.You may choose to restrict the collection or use of your personal information in the following ways: When a balance between portability and strength is required then sometimes even those cheap light stands that come bundled with kits can do. I know, to some of you I just blasphemed but bare with me. Most of those stands are better used as paper weights than light stands. I’ve even had one (wasn’t actually that cheap) literally crumble away; The metal began to crumble at the screw but thankfully I was there to catch it. Lots of those cheap stands are made from bad metal and plastic. The type of metal which you can’t clamp anything to as it just bends. Useless You have to remember this phrase when working with grip equipment: “Righty Tighty; Lefty Loosy”. When you are rigging equipment to hold things, there’s a right way and a very wrong way to do this. Mylio Photos – Access your photos from anywhere, without the cloud! Easily showcase your photos on-the-go, resolve duplicates, find faces and look for those stunning locations.
If we missed anything, or if you have any recommendations on what we should consider for next year, please comment below! Best Travel / Compact Light Stands It features a heavy-duty 50” boom arm attached using the 2.5” grip heads, this allows you to position your lighting in angles not available to normal stands. This works great for use as an overhead light, hair light or copy stand. The included grip heads also allow you to use additional modifiers with your stands like flags, diffusers or reflectors. Lighting is the language of photography and videography. Our C-stands are your partners in translating your creative vision into reality. Elevate your lighting control and professionalism – explore our collection today and redefine your approach to visual storytelling. It is a sturdy durable light stand to hold any lighting using the traditional universal 5/8” spigot. This is the most popular fixture for lights or flashes which covers the vast majority currently available on the market, with a maximum load capacity of 10kg. The detachable base also includes a 1-1/8” junior-pin receiver, for heavier lights such as Arri lights used in large productions. PLEASE NOTE: The Adjustable Leg does not require tools to setup and can be pulled apart with your hands, you can find a video on how to do this HERE
Stands
Radiant Photo– Radiant Photo superior quality finished photos with perfect color rendition, delivered in record time.Your photos — simply RADIANT.The way they are meant to be. Learning how to use a C-Stand is incredibly important because it also affects the safety of the set. There are key steps to keep in mind when setting up a C-Stand to ensure the safety of the crew and talent on set. 1. Unfolding the legs I've been a member of The National Association of Broadcast Employees and Technicians ( NABET). I held both Grip and Lighting Technician cards.
We will not sell, distribute or lease your personal information to third parties unless we have your permission or are required by law to do so. We may use your personal information to send you promotional information about third parties which we think you may find interesting if you tell us that you wish this to happen. a b Matthews Studio Equipment (2022-07-26). "40" C+Stand Spring Loaded Turtle Base". matthewsgrip . Retrieved 2019-11-06.
There are three stories I've heard about the name C-stand. The Grip Department at 20th Century Fox (formed in 1935) claimed it. I prefer Grip-heads that feature toothed surfaces which grip the arm (ie MSE & Kupo over others). For lights, I prefer Booms over Extension Arms, even when I'm not using their full offset potential from the stand - and - I always counterbalance a boom. I really can’t find any information about where the name came from. I was told by an instructor of mine in school that it was a brand name, Century. But I can’t find any info on that either. There are several brands that make C Stands. I have a wild assortment of these that I’ve collected over 30 years made by all kinds of different companies. They are used to rig anything and everything you can think of – fill cards, lights, flags, silks, scrims, diffusion panels, you get the idea. They are not commonly used to rig cameras though. Also notice the tallest leg is in the direction of the arm. This will help to ensure that the stand won’t fall over. It only has three legs after all. So you are putting the weight over the largest leg.
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