Dzwonnik z Notre Dame (Disney) (booklet) [DVD] (English audio. English subtitles)

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kocham ta bajke przysiegam w ciagu osttnich 4/6 miesiecy obejrzalam ją przynajknije 300 razy znam wszytko na pamiec a i tak sie nie nudzi blagam frollo kocham cie nadepnij na mnie nwm spal mn na takim stosie kochamc ie A nieco dalej od Ponecan – z kolei mówiła Lienarda – u Trejcy, była passya z osób samych, bez dyskursu. Gaul, Lou (June 14, 1996). "Disney made effort to follow Hugo's novel". The Beaver County Times. Archived from the original on July 2, 2021 . Retrieved December 22, 2014– via Google News Archive. Stewart, Jocelyn (February 10, 2008). "Artist created many famous film posters". Los Angeles Times. Archived from the original on March 14, 2010 . Retrieved February 10, 2008.

anonim59: Jest z pewnością najbardziej interesującym bohaterem w filmie, ponieważ ma zawiły charakter. To, że jest sadystą nie znaczy, że nie może być najlepszą postacią Animation Guild, TAGInterview GaryTrousdale 2, archived from the original on July 2, 2021 , retrieved December 7, 2018

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Katzenberg had also wanted Meat Loaf for the role of Quasimodo, but he passed on the role after Disney could not come to an agreement with his record company. [21] Mandy Patinkin was also approached for the title role, but his style of portraying Quasimodo collided with the producers' demands, and Patinkin stated, "'I [was] just there at the audition [and I] said, 'I can't do this. '" [25] Tom Hulce was cast as Quasimodo following his first audition for the role, and according to the actor, he noticed during the audition that the Disney executives, producers, and directors "were staring at the floor. It looked like everyone was at a memorial service" until he noticed the floor was lined with storyboard sketches. According to Wise, the filmmakers "like to audition the voices with our eyes closed, so we see the character's face." [26] Quasimodo was originally portrayed as older and with more of a speech impediment during the early rehearsals, but Hulce commented that "we experimented, endlessly. At one point I was ready to call in and say 'Things just aren't happening'." [27] Ultimately, the directors desired to portray Quasimodo with a younger voice different from the previous portrayals since "[Victor] Hugo described Quasimodo as 20." [8] Additionally, Hulce was permitted to do his own singing after performing a demo recording of " Out There." [28]

According to the film's production notes, Quasimodo is "symbolically viewed as being an angel in a devil's body." He is "trapped between heaven above [and] the gritty streets of urban Paris viewed as Hell." The version of the alphabet Quasimodo recites in a daily ritual reflects Frollo's view of the world – full of abominations and blasphemy. He is also constantly called deformed, ugly, a monster, and an outcast who would be hated if he ever left the confines of the church. [45] Release Hartl, John (June 19, 1994). "The Lion King' Gives A New Voice To Disney Storytelling". The Seattle Times. Archived from the original on December 26, 2019 . Retrieved December 6, 2014. Archerd, Army (June 17, 1996). "Thesp requires Heimlich at museum bow". Variety. Archived from the original on December 26, 2014 . Retrieved November 30, 2014. Siskel, Gene (June 21, 1996). "Schwarzenegger Solidifies His Action-star Status With 'Eraser' ". Chicago Tribune. Archived from the original on December 5, 2014 . Retrieved November 30, 2014.

Recenzje użytkowników (1)

a b c d e Hill, Jim (April 5, 2001). "Getting the Gargoyles right proves to be a gruesome go..." The Laughing Place. Archived from the original on June 8, 2003 . Retrieved November 30, 2014. Hej-ty! mistrzu Joachimie Ladehors! Hej-drugiś, Ludwiku Dahuille! Hej-tam ty poczwaro jakaś! Lambercie Hoctement! Past Saturn Awards". Saturn Awards.org. Archived from the original on September 14, 2008 . Retrieved May 7, 2008. a b c d e Pinsky, Mark I (2004). The Gospel According to Disney: Faith, Trust, and Pixie Dust. ISBN 978-0-664-23467-6. Archived from the original on July 2, 2021 . Retrieved October 24, 2020– via Google Books.

Bates, James; Apodaca, Patrice (June 20, 1996). "Stalking the King of Animation". Los Angeles Times. Archived from the original on June 24, 2021 . Retrieved June 21, 2021. Bates, James; Eller, Claudia (June 12, 1998). "Bridled Optimism". Los Angeles Times. Archived from the original on July 12, 2015 . Retrieved December 22, 2014.

McNary, Dave (June 7, 1998). "Lion's share; Walt Disney video sequels mining gold". Los Angeles Daily News. Archived from the original on June 4, 2013 . Retrieved December 8, 2014– via The Free Library. No nie ma co mówić, śliczni panowie, ci nasi jegomoście ze Wszechnicy! nie poszanować-że naszych przywilejów nawet w dniu takim jak dzisiejszy! Do licha! są ognie sztuczne i roszczka na Nowem-Mieście, jest misteryum, jest król trefnisiów; są ambasadorowie flamandzcy w Starym Grodzie, a we Wszechnicy ani ni! Wasza Eminencya napróżno tylko grzeczność traci z tymi wałkoniami flamandzkiemi. Margaritas ante porcos. Owa! czy was djabli, mistrzowie kunsztu!... i te wszystkie wasze pyszne kapy czarne! i czerwone wszystkie kapy! Na okładce: Victor Hugo (1802-1885), Victor Hugo, Oeuvres illustrées de Victor Hugo. Paris: J. Hetzel, 1853,

Milestones for Gary Trousdale". Turner Classic Movies. Archived from the original on December 18, 2014 . Retrieved November 30, 2014. Imagination for a Lifetime -- Disney Titles All the Time; Walt Disney Home Video Debuts the Gold Classic Collection; An Animated Masterpiece Every Month in 2000" (Press release). Burbank, California. Business Wire. January 6, 2000. Archived from the original on May 22, 2018 . Retrieved November 26, 2018– via TheFreeLibrary. Glancey, Jonathan (July 15, 1996). "Do we need Disney?". The Independent. Archived from the original on February 21, 2017 . Retrieved February 16, 2015. Clark, John (June 16, 1996). "A Quasi Original". Los Angeles Times. Archived from the original on December 22, 2014 . Retrieved November 30, 2014.Powiedz raczej, opacie – odrzekł kardynał głośniej z uśmiechem – powiedz raczej: Porcos ante Margaritami. Tego, co ma nastąpić? – przerwał Gringoire. – Ależ, mej Boże! w tym celu najlepiej jest słuchać przedstawienia. It's interesting to compare this picture with the 1923 Lon Chaney version - not for the sake of ranking them, since both are fully worthy of attention in their own right, but because they offer somewhat different strengths, and because they emphasize somewhat different aspects of the story.